Tag: Twiztid

Welcome back to the final chapter of our deep dive into the ICP and Twiztid beef. In Part 4, we covered how the conflict went public through interviews, diss tracks, and fan reactions, dividing the Juggalo community. Now, we shift to the present and focus on a controversy that continues to fuel the divide: Twiztid’s merchandise moves and how they’ve carried forward projects originally built with ICP—like Dark Lotus and The Rydas—for their own benefit.

These actions have left fans frustrated, further deepening the split in Juggalo culture.

Dark Lotus Light: Missing the Heart

One of the most iconic collaborations in Juggalo history was Dark Lotus. Formed by ICP, Twiztid, Blaze, ABK, Dark Lotus was a supergroup that embodied mystery, darkness, and unity. Albums like Tales from the Lotus Pod and Black Rain weren’t just music—they were sacred to Juggalos. Dark Lotus represented a time when ICP and Twiztid were at their creative peak, working together as brothers to create something unique.

However, in recent years, Twiztid has gone on to perform Dark Lotus songs without ICP, branding these performances as their own. Fans have taken to calling this version “Dark Lotus Light”, highlighting what’s missing: ICP’s involvement and the unity that once made Dark Lotus special.

To many Juggalos, these performances feel hollow. Dark Lotus was never meant to be a Twiztid-only act; it was a creation of Psychopathic Records, and every member’s presence was essential to its magic. By continuing to perform these songs, Twiztid is seen as profiting off a shared legacy while ignoring what the group originally stood for.

The Rydas: A Stolen Concept

Another fan-favorite project created under Psychopathic Records was the Psychopathic Rydas. The Rydas were a beat-jacking, gangsta rap supergroup featuring ICP, Twiztid, and other Psychopathic artists. Known for their gritty, no-frills style, the Rydas were beloved for being a fun, unapologetic side project that let the artists experiment with a different sound.

Now, Twiztid has gone on to perform as the Rydas under Majik Ninja Entertainment (MNE)—but without ICP or the other original Psychopathic artists. For many fans, this feels like a direct rip-off of an idea that wasn’t solely Twiztid’s to claim. The Rydas were created as a Psychopathic Records project, a product of ICP and Twiztid’s collaboration.

To ICP loyalists, Twiztid performing as the Rydas without ICP is more than just a business move—it’s a betrayal. The music and legacy of the Rydas were built on unity, and Twiztid’s actions feel like they’re erasing ICP’s contributions to the project while profiting off their shared history.

Merch Moves: The Serial Killaz Rip-Off

Twiztid’s merch decisions have only added fuel to the fire. A standout example is the release of Twiztid’s “Serial Killaz” shirt, which bears a striking resemblance to an iconic ICP shirt that was sold in malls during ICP’s rise in the late ‘90s and early 2000s.

The original ICP design featured bold, clean lettering that simply read “Insane Clown Posse”—a design that became a staple of Juggalo fashion. Twiztid’s “Serial Killaz” shirt mimics this exact style, leading many fans to call it an obvious rip-off of ICP’s work.

For Juggalos who grew up with the original shirt, Twiztid’s version feels disrespectful, as if they’re profiting off ICP’s creative history rather than building their own. This, combined with the Dark Lotus Light performances and Rydas shows, paints a picture of Twiztid leaning heavily on ICP’s legacy instead of creating something fresh and unique.

Reflecting on the Legacy of the Beef

At the end of the day, one thing is undeniable: there would be no Twiztid without ICP.

ICP didn’t just give Twiztid their name—Violent J literally came up with it. ICP gave Twiztid everything they needed to succeed:

• A blueprint for how to dominate the underground music scene.
• A platform on their tours and shows to get Twiztid in front of Juggalos.
• Merchandising, branding, and a built-in fanbase that was ready to embrace them as family.

Everything Twiztid has today stems from the opportunities ICP gave them. Now, Twiztid acts like they created it all on their own—ignoring the foundation ICP laid for them and erasing the very people who made their success possible.

This isn’t just about music or merchandise—it’s about respect. The legacy ICP and Twiztid built together could’ve been something Juggalos celebrated forever. Instead, it’s become a constant reminder of how far the family has fallen apart.

No matter which side of the fence you’re on, the story of ICP and Twiztid is one of loyalty, betrayal, and legacy. While both groups continue to thrive in their own lanes, the divide they created in Juggalo culture will be felt for generations to come.

In Part 3, we covered the fallout from the Juggalo March and how Twiztid’s refusal to participate drove a wedge through the underground community. But the March was just the beginning. What had been whispered and speculated for years finally went public, as both sides—ICP and Twiztid—began airing their grievances in interviews, social media, and even music. The gloves came off, and Juggalos were left trying to navigate the wreckage.

Public Statements: The Grievances Go Live

After the Juggalo March, the tension between ICP and Twiztid became impossible to ignore. Instead of keeping their issues private, both sides started addressing the situation publicly.

• ICP, particularly Violent J, was vocal about their disappointment. In interviews, Violent J called Twiztid’s refusal to march a betrayal of the Juggalo family. He made it clear that the march was bigger than music or personal beef—it was about standing up for fans who had been harassed and targeted because of their love for the music.
• Twiztid, on the other hand, took a defensive stance. Monoxide often spoke out in interviews, dismissing the March as “a publicity stunt” (as mentioned earlier). He also pointed to the growing tension between them and Psychopathic Records, saying they were tired of being seen as “second fiddle” and wanted to forge their own identity under Majik Ninja Entertainment (MNE).

Fans were left with mixed emotions. For years, ICP and Twiztid had portrayed themselves as family, but now they were airing personal and professional grievances in ways that couldn’t be taken back.

The Diss Tracks: Subtle and Not So Subtle

It didn’t take long for the beef to spill into the music. Diss tracks—sometimes subtle, sometimes direct—began popping up on both sides. While neither ICP nor Twiztid explicitly named names in most cases, the lyrics were often pointed enough that fans could connect the dots.

1. ICP’s “6 Foot, 7 Foot” Freestyle: In this track, ICP addressed the beef without holding back. Violent J called out unnamed artists who he felt had turned their backs on Psychopathic Records, with lines that fans widely interpreted as digs at Twiztid.
2. Twiztid’s “Wasted”: Twiztid fired back with a track that seemed to mock ICP’s position. While avoiding direct names, the lyrics took aim at loyalty, guilt trips, and “controlling old-school labels.”
3. “Psychopathic Soldier” (Fans’ Creations): The beef even inspired Juggalos to jump into the fray, creating unofficial tracks and remixes aimed at either defending ICP or Twiztid.

These diss tracks fueled the fire, giving fans even more to argue over. Forums and social media exploded with debates as Juggalos dissected lyrics, debated loyalty, and tried to decide which side was “right.”

Fan Reactions: A Community Shaken

The public airing of grievances wasn’t just between ICP and Twiztid—it was a civil war among Juggalos. Fans who had once stood united were now divided, and social media became the battleground.

• Team ICP: Loyal fans felt betrayed by Twiztid. To them, Twiztid’s refusal to march and public comments about ICP showed they no longer cared about the Juggalo family or the bond they once had.
• Team Twiztid: Supporters of Twiztid argued that ICP was being controlling and manipulative. They believed Twiztid had the right to forge their own path under MNE without constantly being tied to Psychopathic Records.

Rumors also spread like wildfire during this time. Some fans speculated that the beef was all for show—a calculated move to generate buzz. Others claimed there were deeper, hidden issues about money and contracts that neither side was admitting publicly. Regardless of the truth, the damage to the community was undeniable.

The Fallout: A Permanent Divide?

The public beef solidified what many fans had feared: ICP and Twiztid were never going to reconcile. Interviews, diss tracks, and online feuds had taken their toll, and the divide was now too wide to bridge.

For Juggalos, the beef was heartbreaking. ICP and Twiztid had once stood as symbols of unity, creating music that celebrated family and loyalty. Now, fans had to choose between two camps—a choice no one ever wanted to make.

The fallout didn’t just reshape ICP and Twiztid’s relationship; it reshaped the entire underground scene. New alliances were formed, tours became competitive, and Juggalos who once stood together now found themselves on opposite sides of a war they never asked for.

What’s Next? Part 5 – Twiztid’s Moves and Merch Tactics

In Part 5, we’ll explore the aftermath of the beef, focusing on how Twiztid has continued to mirror ICP’s moves—especially in their approach to merchandise. From familiar designs to similar releases, we’ll dive into the ongoing competition and how it keeps the divide alive.

Stay tuned, because this story isn’t over yet.

Welcome back to our exploration of the ICP and Twiztid beef. In Part 2, we saw Twiztid’s departure from Psychopathic Records and their push for independence, leaving cracks in the underground’s foundation. But it was 2017—and one of the most controversial events in Juggalo history—that turned those cracks into a full-blown divide.

The Juggalo March on Washington wasn’t just a protest; it was ICP’s rallying cry to defend the Juggalo name. But when Twiztid refused to participate, the fallout was massive—and it forced Juggalos to take sides.

The Juggalo March: Why It Mattered

In 2011, the FBI labeled Juggalos as a “hybrid gang” in their National Gang Threat Assessment. This move wasn’t just an insult to ICP and their fans—it had real consequences. Juggalos were being harassed by police, losing jobs, and even fighting in court to defend themselves. ICP decided to fight back.

In 2017, they announced the Juggalo March on Washington, D.C., a peaceful protest designed to raise awareness and demand justice. For ICP, this was more than a march—it was a way to protect the Juggalo family they had spent decades building. They called on every artist and group in the Juggalo world to stand with them.

Twiztid Refuses to March

When ICP extended the invitation, Twiztid shocked fans by refusing to participate. At first, Twiztid downplayed their absence, claiming they didn’t want to get involved with politics. They told fans they supported Juggalos in their own way, but they wouldn’t be joining the march.

Monoxide later went on record stating that the Juggalo March was just a publicity stunt. What he seemed to miss, though, was that that was the entire point. A “publicity stunt” is exactly what a movement like this needs—to draw attention, get people talking, and rally the community behind a shared cause. Of course, it was about publicity. That’s how you fight back against something as massive as the FBI.

For ICP, Twiztid’s comments only made things worse. This wasn’t about politics or stunts—it was about family. Juggalos weren’t just fans; they were real people dealing with real problems, and ICP expected Twiztid to stand with them.

A Community Divided

The fallout from the Juggalo March was immediate and brutal. Juggalos who had once embraced ICP and Twiztid as family now found themselves forced to choose sides:

• Team ICP: Fans who supported the march and felt betrayed by Twiztid’s decision. To them, ICP were still the leaders of the Juggalo movement, fighting for the entire family.
• Team Twiztid: Fans who defended Twiztid’s choice to stay out of the march, believing they had their reasons and that ICP was overreacting.

Social media, forums, and events became war zones where Juggalos clashed. The unity that had always defined Juggalo culture was broken. For the first time, it felt like there were two Juggalo worlds—one loyal to ICP and Psychopathic Records, and the other following Twiztid and their new label, Majik Ninja Entertainment (MNE).

Why It Solidified the Divide

Up until this point, many Juggalos still held out hope that ICP and Twiztid could repair their relationship. But the Juggalo March proved that the split ran deeper than anyone realized. ICP saw Twiztid’s refusal as proof they no longer cared about the Juggalo family. Twiztid’s supporters argued that ICP was trying to guilt them into participation and make the march about loyalty.

The divide wasn’t just about artists—it was about what being a Juggalo truly meant. ICP believed the march was about standing together, no matter what. Twiztid believed they had the right to forge their own path, separate from ICP’s vision.

In the end, the Juggalo March became a turning point. It wasn’t just a protest against the FBI; it was the moment the underground realized that ICP and Twiztid were never going to see eye to eye again.

What’s Next? Part 4 – The Beef Goes Public

The Juggalo March fallout marked the final fracture in ICP and Twiztid’s relationship, but it didn’t end there. In Part 4, we’ll explore how the beef went public, from interviews and diss tracks to fan reactions that shaped the underground.

The gloves came off, and the world watched as the divide deepened. Stay tuned—because the story only gets darker from here.

Welcome back to our deep dive into the ICP and Twiztid beef. In Part 1, we explored the early days of brotherhood, where ICP and Twiztid were building a wicked legacy together. But as we all know, even the closest bonds can unravel. In this installment, we’re taking you on a ride through the breaking point—the moment when cracks turned into a split that shook the underground Juggalo world.

By 2012, cracks in the foundation of the brotherhood between ICP and Twiztid had started to show. After over a decade of loyalty to Psychopathic Records, Twiztid announced their departure from the label. To Juggalos, it was a bombshell that shook the underground scene, but for those paying attention, there had been signs leading up to this breaking point.

The Early Signs: Majik Records and The Green Book

The first real hint of Twiztid’s desire for independence came back in 2003. That year, Twiztid quietly launched their own record label, Majik Records, with the help of Tom Dub, a former Psychopathic Records insider. This move caught fans off guard. Up until that point, Twiztid had been seen as completely loyal to ICP and Psychopathic, so the idea of them creating their own label raised eyebrows.

The release of Twiztid’s iconic album The Green Book only added fuel to the speculation. On the album artwork, fans noticed something strange: both the Psychopathic Records logo and the Majik Records logo appeared together. This was the first public sign that Twiztid was exploring the idea of branching out on their own, and it planted seeds of doubt in the Juggalo world.

While Twiztid downplayed any rumors of a rift, fans couldn’t help but wonder: Was this the beginning of something bigger? Even though Majik Records didn’t take off at the time, it was a clear signal that Twiztid was thinking about their future beyond Psychopathic Records.

The Departure: 2012 – Twiztid Goes Independent

In December 2012, Twiztid shocked the Juggalo world by announcing they were leaving Psychopathic Records. For years, the bond between ICP and Twiztid had seemed unbreakable. Fans viewed them as family, not just business associates. But as the news spread, so did speculation. Why would Twiztid leave the label that put them on the map?

Initially, the split was presented as amicable. Twiztid stated they wanted to take their careers in a new direction. But the reality behind the scenes was far more complex. At the center of it all was ownership and control—specifically, the masters of their music.

The Masters: A Fight for Independence

In the music industry, owning the masters—the original recordings of songs—is everything. Whoever controls the masters has the ultimate rights to the music, including its use in re-releases, licensing, and streaming. For years, Twiztid had created music under Psychopathic Records, but they did not own those recordings.

Twiztid, realizing the importance of creative control and financial independence, began pushing for ownership of their masters. However, it wasn’t a simple request. For ICP and Psychopathic Records, the masters were part of the label’s legacy and business model.

The disagreement over the masters became one of the major breaking points. It wasn’t just about money—it was about freedom and respect. Twiztid wanted to own what they had created, and when that couldn’t be resolved, leaving the label became their only option.

The Gathering Fallout

The tension surrounding Twiztid’s departure was heightened by key moments, like The Gathering of the Juggalos. While ICP remained the heart of the event, Twiztid’s growing independence created awkwardness and uncertainty for fans. Behind the scenes, rumors swirled that Twiztid had made demands—like threatening not to perform unless certain conditions were met, including access to their masters.

Whether those rumors were true or not, the damage was done. ICP felt betrayed, and Twiztid felt stifled. What was once a united front at the Gathering—a place meant to celebrate Juggalo family—now symbolized a growing divide.

Fan Reaction: A Divided Underground

For Juggalos, Twiztid’s departure from Psychopathic Records caused an identity crisis. Some fans supported Twiztid’s decision, seeing it as a necessary move for their independence. Others felt Twiztid had turned their backs on the label that gave them everything.

The split forced Juggalos to take sides, whether they wanted to or not. Forums, social media, and underground events became battlegrounds where fans debated loyalty, respect, and who was “right.” ICP remained Psychopathic Records, the legacy label, while Twiztid began carving their own path in the underground.

The Calm Before the Storm

At first, both sides downplayed the tension. Twiztid assured fans that they were still cool with ICP, and ICP tried to keep the focus on their own work. But for anyone paying attention, the vibe had shifted. The brotherhood that once seemed unbreakable was showing deep fractures, and the underground could feel it.

The departure was just the beginning. Twiztid’s push for independence would lead to bigger moves—and bigger conflicts—in the years to come.

What’s Next? Part 3 – The Juggalo March Fallout

The story doesn’t end here. In Part 3, we’ll explore one of the most controversial moments in Juggalo history: the Juggalo March and Twiztid’s refusal to join ICP. This was the moment where the tension boiled over, and fans were forced to choose sides.

Stay tuned, because the ride is just getting started.

Part 1: The Early Days – Brothers in Wickedness

Before the beef, before the split, and before the underground was divided, ICP and Twiztid were more than just collaborators—they were family. The relationship between Insane Clown Posse and Twiztid started as a story of brotherhood, built on mutual respect, creativity, and a shared love for the wicked underground. Follow me as I take you down this road for this 5 part series exploring the beef.

The Birth of the Wicked Duo

ICP—Violent J and Shaggy 2 Dope—were already dominating the underground rap scene in the late ‘90s when they crossed paths with House of Krazees. At the time, Jamie Madrox, Monoxide Child, and The R.O.C. made up the group, known for their horrorcore sound and gritty style.

House of Krazees got their big break when they were tapped to open for ICP on tour. It was during those shows that ICP saw something special in them. However, as the road got tougher, The R.O.C. dropped out, leaving Jamie Madrox and Monoxide Child to carry the torch. Determined and hungry, the two were willing to do whatever it took to keep their group moving forward.

After House of Krazees disbanded, ICP brought Jamie and Monoxide onto Psychopathic Records, where they were rebranded. It was Violent J who came up with the name “Twiztid”, telling them the name needed to be spelled that way because it made it sound more wicked. And just like that, Twiztid was born—ready to embrace the dark, chaotic energy of the Juggalo world.

A Family on Stage and Beyond

The late ‘90s and early 2000s were golden years for ICP and Twiztid. Twiztid became a staple on ICP’s tours, including the legendary “The Amazing Jeckel Brothers Tour” in 1999, where Twiztid opened for ICP and helped electrify the crowd every night. They weren’t just opening acts—they were part of the main event, sharing the stage during live collaborations that fans still talk about today.

But their connection went far beyond collaborations. Together, they formed legendary groups that cemented their bond in Juggalo history.

• They created Dark Lotus, a supergroup shrouded in mystery, where ICP and Twiztid joined forces to produce some of the darkest and most iconic tracks in horrorcore.
• They also became part of the Psychopathic Rydas, the infamous beat-jacking collective known for their ruthless gangsta rap style, giving fans a completely different vibe while showcasing their versatility.

These groups weren’t just side projects—they were proof of how well ICP and Twiztid worked together as a unit, pushing each other creatively and bringing Juggalos along for the ride.

Psychopathic Records: Building an Empire

During this time, ICP and Twiztid weren’t just building their careers—they were building a movement. Psychopathic Records was more than a label; it was a home for artists who didn’t fit the mainstream mold. ICP was the driving force behind this empire, but Twiztid played a crucial role in expanding the brand.

Twiztid’s second album, “Freek Show” (2000), cemented their place in Juggalo history. It was dark, raw, and everything Juggalos wanted. The album featured fan-favorite tracks like “We Don’t Die” and “Mutant X,” and Twiztid performed alongside ICP at The Gathering of the Juggalos, which had just begun in 2000. Together, they helped turn The Gathering into the legendary event it is today.

A Brotherhood Fans Believed In

For years, ICP and Twiztid were inseparable in the eyes of the fans. Violent J, Shaggy 2 Dope, Madrox, and Monoxide weren’t just labelmates—they were brothers in wickedness, bonded by the underground culture they helped create. Fans embraced Twiztid as an extension of ICP, and the loyalty felt mutual.

At this point, there was no sign of the fallout that was to come. The early days were about unity, creativity, and building a legacy together. ICP put Twiztid on, and Twiztid delivered—proving they deserved their spot in the Juggalo world.

But as we all know, family can be complicated, and the road ahead was about to take a sharp turn.

Part 2:
https://bcideclothing.com/2025/01/02/twiztid-leaves-psychopathic-records